Thursday, February 25, 2010
Sunday, February 21, 2010
Winter tan
Slender young women with cultivated winter tans walk past me, their foreheads dotted with ashen grey targets, as they walk past and away from me their pants command or entreat me with single words emblazoned across their ass.
On Friday, I give a demonstration to the students on simple relief printing, over enunciating the Japanese words and mentally pen an autobiography in 100 words or less. Entire years compressed into two words, influential portions omitted for the sake of propriety. I attempt to resist my natural inclination to come off as a bit of a wet blanket milquetoast.
Labels:
camilla taylor,
carving,
doll,
printmaking,
relief print,
the studio
Saturday, February 20, 2010
Two faced
Monoserigraphy with powdered graphite and blind embossing. I made this after printing a series with the face, once, and then found a scrap of paper in the print shop and made this with it.
Labels:
art,
blind embossing,
monoserigraph,
printmaking,
screenprint
Monday, February 15, 2010
Tuesday, February 09, 2010
Graduate Shmaduate
I was awarded the Southern Graphics Council Graduate Student Fellowhip. The award includes a solo show at the 2011 SGC in St. Louis, MO, $1,000 towards creating a body of work for the show, and giving a presentation at this year's SGC in Philadelphia banquet dinner. Yay!
I almost hyperventilated from excitement when I found out this morning.
I almost hyperventilated from excitement when I found out this morning.
Graduate Shmaduate
I was awarded the Southern Graphics Council Graduate Student Fellowhip. The award includes a solo show at the 2011 SGC in St. Louis, MO, $1,000 towards creating a body of work for the show, and giving a presentation at this year's SGC in Philadelphia banquet dinner. Yay!
I almost hyperventilated from excitement when I found out this morning.
I almost hyperventilated from excitement when I found out this morning.
Saturday, February 06, 2010
Oil Stick Monotype
One of my old studio mates got rid of a box of old oilsticks. Before recommending to the students that they try to use them for monotype printing, I gave them a quick try. They work pretty good, but still don't give a very fine point or much control. I've still found it's easier to get much detail and depth with reduction (wiping away material with tools) that with the addition step.
Oil stick and kitikata chine colle on buff BFK:
I drew the skull without referrence, which explains if not excuses the misproportion.
Oil stick and kitikata chine colle on buff BFK:
I drew the skull without referrence, which explains if not excuses the misproportion.
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