The second session of the monotype workshop at Josephine Press I taught chine colle and viscosity inking. Chine colle is always a big hit, and even though I have a tendency to use the neutrals and muted tones for my demos, students always love getting into the patterned and colorful washi papers for their own prints. Anyhow, the night before this workshop I drew two skulls on pieces of washi, one deer skull and one marmot skull. Washi is so thin that it often doesn't stand up to erasing at all, so I just let the mistakes stay in the finished drawing. I also used the Epson 2000 we have at Josephine Press to print up some photographs on to some coated washi from Hiromi paper. That way, I could show them how to make an archival print that still has the collaged look of magazine and newspaper clippings, though, to be honest, I think my cat monster didn't turn out so hot. If I have time, I'll probably add another layer to it.
The two chine colle-ed prints with pre-drawn washi:
And here's a ghost (a ghost is when you use the ink left on the plate after printing,) printed from one of the previous images:
The Cat Monster chine colle, but I think it's unfinished:
And then lastly, I made this guy, inspired by a recent villain on Adventure Time, just to give a quick refresher on stencilling, the lesson from the first week: